?Best Song/Recording Created For A Film:
“Remember Me” by Miguel featuring Natalia Lafourcade (Coco)
“This Is Me” by Keala Settle (The Greatest Showman)
“Home” by Nick Jonas (Ferdinand)
“Mystery of Love” by Sufjan Stevens (Call Me By Your Name)
“Mighty River” by Mary J. Blige (Mudbound)
TELEVISION
Best Music Supervision In A Television Drama:
Season Kent for “13 Reasons Why” (Season 1)
Thomas Golubi? for “Better Call Saul” (Season 3)
Gabe Hilfer for “Good Behaviour” (Season 1)
Gary Calamar for “Good Girls Revolt” (Season 1)
Jennifer Pyken for “This Is Us” (Season 1)
Best Music Supervision In A Television Comedy or Musical:
Manish Raval, Tom Wolfe and Jonathan Leahy for “Girls” (Season 6)
Bruce Gilbert for “I Love Dick” (Season 1)
Kier Lehman for “Insecure” (Season 2)
Zach Cowie and Kerri Drootin for “Master of None” (Season 2)
Frankie Pine and Mandi Collier for “Nashville” (Season 5)
Best Music Supervision In A Docu-series Or Reality Television:
Sam Carlin for “Catfish: The TV Show” (Season 6)
Nancy Severinsen for “So You Think You Can Dance” (Season 14)
Deborah Mannis-Gardner for “The Defiant Ones” (Season 1)
Clyde Lieberman and Jill Meyers for “The Voice” (Season 12)
Meryl Ginsberg for “World of Dance” (Season 1)
Best Music Supervision In A Television Limited Series Or Movie:
Susan Jacobs for “Big Little Lies”
PJ Bloom for “Feud: Bette and Joan”
Jabari Ali and John Houlihan for “Shots Fired”
Carter Little and G. Marq Roswell for “Soundbreaking: Stories from the Cutting Edge of Recorded Music”
Greg Cahn and Jonathan McHugh for “Sun Records”
Best Song/Recording Created For Television:
“How Do We Get Back To Love” by Julia Michaels (Girls: Episode 609- “Goodbye Tour”)
“Quicksand” by SZA (Insecure: Episode 208- “Hella Perspective”)
“Sanctuary” by the Nashville cast featuring Charles Esten, Lennon Stella and Maisy Stella (Nashville: Episode 510- “I’ll Fly Away”)
“Until You Find Me” by Allison Scagliotti (Stitchers: Episode 3009- “Kill It Forward”)
“We Can Always Come Back To This” by Brian Tyree Henry and Hannah Miller (This Is Us: Episode 116- “Memphis”)
DOCUMENTARIES
Best Music Supervision For A Documentary:
Joel C. High for “G-Funk”
Brooke Wentz for “Dolores”
Steven Gizicki for “FRANCA: Chaos & Creation”
Aminé Ramer and Andrea Von Foerster for “Charged”
Gary Welch for “Eric Clapton: Life In 12 Bars”
TRAILERS
Best Music Supervision For A Trailer:
Heather Kreamer and Craig Thompson (Create) for “Black Panther” Official Trailer
Omar Herrera (Disney) for “Black Panther” Teaser Trailer
Naaman Snell for “I, Tonya”
Marcy Bulkeley (Wild Card) for “Alien: Covenant”
Bobby Gumm (Trailer Park) for “Baby Driver”
PROMOS
Best Music Supervision For A Promo:
Bobby Gumm and Michael Paquette (Trailer Park) for “Stranger Things” (Season 2)
Chase Casanova (Mark Woollen) for “Big Little Lies”
Jordan Silverberg (Transit) for “Narcos” (Season 3)
VIDEO GAMES
Best Music Supervision In A Video Game:
Brandon Young and Katie Byam for “Call of Duty: WWII”
Steve Schnur, Cybele Pettus and Raphaella Lima for “FIFA 18”
Alex Hackford and Duncan Smith for “Gran Turismo Sport”
Ben Sumner and Glenn Herweijer for “Life is Strange: Before The Storm”
Steve Schnur, Cybele Pettus and Raphaella Lima for “Madden NFL 18”
ADVERTISING
Best Use Of Music In A Single Advertising Spot:
Peymon Maskan for Apple “Stroll”
JT Griffith for Nike “Skates”
Samsung “I Love You”
Jonathan Wellbelove for Sonos “From Heartbreak To Healing”
Daniel Kuypers for Windex “The Story of Lucy”
Best Use Of Music By A Brand:
Apple
GoPro
Nike
Orbit
Samsung
Legacy Award:
To be announced…
Make sure you keep up to date with the 2018 Guild Of Music Supervisors Awards as they take place on 8th February at The Theatre at Ace Hotel in downtown Los Angeles.
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